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Kang, an ethnographer of Korean immigrants in the Flushing neighborhood of Queens, New York, documented in a report in 1990. Twenty-five http://casinov7o.zamsblog.com years had passed since President Lyndon B. Johnson signed the Immigration and Nationality Act of 1965, drawing hundreds of thousands of Koreans to the United States. New York City, and Queens in particular, was a prime destination. Today, there are as many Korean-Americans in Queens as there were in the entire U.S. in 1970. And, although Flushing is tonier and more developed than it was in Kang’s time, it remains the dense, polyglot domain of new, poor, and working-class Asian immigrants trying to find their place. Yeong-Ung Yang, a photojournalist and multimedia producer with Newsday and a freelance filmmaker born and raised in Seoul, has spent much of the past decade capturing the unglamorous reaches of Korean life in New York. In 2013, he began to document the “bus kkun” (bus riders) who earn a subsistence living riding the private buses that connect Flushing’s Main Street to casinos in Pennsylvania, New Jersey, and Connecticut. Morning and night, dozens of mostly middle-aged Korean and Chinese immigrants pay a small fee for a bus ticket.
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Since forming in 1988, the Australian Pink Floyd Show, then known as Think Floyd, has seen a similarly meteoric rise. After making a name for itself in Australia, the band began performing in the U.K. and across Europe. After one of these U.K. shows, Pink Floyd guitarist and vocalist David Gilmour visited the band backstage and invited them to perform at his 50th birthday. Using that momentum, the Australian Pink Floyd Show performed at Glastonbury Festival and, a few years later, toured in support of the 30th http://onegamblingtdd7m.savingsdaily.com anniversary of “The Dark Side of the Moon,” performing the album in its entirety.
For the original version including any supplementary images or video, visit http://www.spokesman.com/stories/2018/sep/06/prince-pink-floyd-tributes-take-to-casino-stages/